JUNELI RAAT

Posted by sseema on January 14, 2008

Tolayera ekohoro herirahe poornima ko joon lai. saanjh saat aath baji sakeko thiyo hola. Kaushi ma ma ani maathi aakash ma joon. matra hami dui. Yehi joon ko tarif dherai jana ko mukh bata sunisakeko thiye. Juneli raat ko mahima pani srawan garna baki thiyena. Aakhir yesto k chha ra tarif garna yogya? Yestai yestai bichar gardai nihari raheki thiye joon . Juneli raat le man ma urja srijana garchha bhanchhan tara sahar ko jhilimili ko agadi joon ko ujyalo katai bilayeko ta chhina?Ek tak lagayera heri rahe . Sansaar ko sabai manish le herne yehi eutai joon. Yes ma euta eaina tasiyeko bhaye kasto gajab hunthyo hola. Tandha raheka haru sanga bhetna napayeni uniharu ko aakriti hardam aankhama nai rahirahnthyo ni . pal pal tyo joon bhinna bhindai roop ma prastut hudai thiyo mero samu kunai tilasmi jadoogar le afno roop fere jastai gari.Jhalakka herda euta sano talkine bastu lageko thiyo. Nihali rahe , joon ma maile sajibata pauna thale. Rahasya nai rahasya le bhariyeko thiyo tyo joon ,mathi dherai tandha. Ekpachhi ek rahasya afai pahilyaudai manau afai kalpidai ani afai suljhaudai thiye. U mero najik aayo. “k herdai gareki?” ‘JOON’,sidha prashna thiyo usako ani mero sidha jawaf. "kina ra k bhayo ? "Usale sodhyo. "kehi haina joon ko shitalata ko aavash gariraheki.kasto achamma lagdo chha hai?" boleko matrai k thiye usale fyatta jawaf diyo, “kina padheki chhainau ra?, euja sono upagraha ta ho ni. Sabai ta hami jasta manish le khotali sake ani feri pani k ko rahasya.” ma ta dherai dubi sakeki thiye chandra rashmi ani shitalta ko saagar ma. "Chhadi deu ma sanga nabola. afno kaam gara.” Sayad u sanga ma yesbela namra bhaina. risayera nai bhane "ekchhin ta kitab ra bigyan bata bahira nisakana sakinna ra? Ekchhin abujh bhayera prakriti mai hami dubai ramda ke bhayo ra?” Uta farkera u risairahyo. Ma najikai gaye ani ekchhin usako aankha padhe ani tesh ma chhipeko nischalta. Sayad dherai chitta dukhayo usale. Usako chhati ma maile afno shir rakhe ani bistarai maafi pani mage tara u yesbela bhane risayeko natak gardai thiyo. Ekchhin pachhi haat ma haat rakhera hami dubai joon lai herdai thiyau, sahar ko jhilimililai para chhaddai hamile joon ko prakash lai atmasath gardai parkriti ko aanchal odeka thiyau.
Ekaichhin joon darpan ma paribartan bhayo . Maile usako akriti sajilai joon ma dekhna thale bhane usale mero pani.Hami dubai le hamro akriti darpan rooopi joon ma payau.
Yetikai ma kohi arko byakti mero pachhidi aayo ra kapal jiskaudai pichhadi bata tanyo. " khana paki sakyo. Ek ghanta dekhi yo adhyaro ma k gariraheko ho? hidnu khana khna ,selai sakyo", bahini aayeki rahichhe. "Ta ja ma ekai chhin ma aauchhu”, maile bhane ra u gai bhitra. Oripari here ,u thiyena aha chhadai thiyena.Tara usako aavash thiyo. Puna joon here , usako akriti maile khoje tyaha ani paaye pani. Jiwan ma naya umanga chhaisakeko thiyo. Joon le tandai mathi sagar ma rahera pani nikata ta ko mahashus garayeko rahechha agi malai . Bujhdai thiye jooneli raat , jun sangai bitayeka saath ani yesai ma harayera rachiyeka gajal, kabita ani upanyas ko bhawana haru. Sayad uniharu le pani sansaar ko ani mayalu ko akriti tyehi joon ma chhapiyeko paye holan ani tyesai ko shital ani chamkilo rashmile uniharu ma srijana garne hausala ujagrit garyo hola. Khai yestai thiyo hola uni haru ko bichar pani. malai te yesati lagdai chha………………..

MY EXPERIENCE........

Well it was an autumn night; cool breeze was blowing again and again. I pulled out my shawl and wrapped within my body to get extra heat. It was a good show indeed, but horror shows on the theatre really dismay me .But anyways I was not alone in the theatre. I was with my pals. They had brought me here just lying that it’s a comedy film. They made me a real fool.
“Madam the road is under construction I can’t take u further,” taxi driver said. “Its jus 10 minutes from here, I mean my home is just 10 minutes far and how can I get down from the taxi in this mid night. Just take that road”, I insisted the driver. It was an alternate way to my home but rather longer. Driver turned towards me and nodded his head and agreed to take me in his taxi.
His golden bright eyes (his pupil was reflected by the lights coming from street lamps and the surrounding) seemed as if is he was then going to harm me. He might be the poltergeist and is trying to divert my mind, I thought for a while. Similar scene was there on cinema. So without telling anything I got down the taxi and paid him the taxi charge. He was trying to return me the change but I was in hurry, without looking back I took my steps. Then I heard someone following me. It could be the same haunted soul trying to mar me. I was sure of it and I knew the precaution as well. The sadhu in the cinema had given the tips that “when ghosts follow you, you never turn back, walk as fast as possible. Then if he tries to call u, never reply back. If u do not follow the instructions he will certainly execute u to mollify his hunger.” It was the instruction given to the heroine by the holy man in the film and I decided to follow this as well. So I didn’t look back.
Then suddenly I heard a voice “ma’m jus look back, ma’m jus stop once.” I knew its ghost. I should not reply back and even should not turn back otherwise it can victimize me. Thinking so, I started running. “Ma’m please listen me ma’m”. Then I was cent percent sure that it was a ghost otherwise it wound not have followed me leaving the taxi behind. I thanked myself for being brave enough to escape out from his taxi. I ran as fast as possible chanting the holy mantras. Reached my home and locked the doors properly. I got bit strength and went to the prayer room and started praying. My family was ignorant about the incidents. So was amazed by my behaviors.
After few minutes the bell ranged. My dad approached near to open the lock. I insisted him several times not to open the lock but he denied my request. Hence the door was opened. I slowly peeped through the keyhole of my prayer room, it was the same taxi driver talking to my dad and handing him something. I couldn’t see all those properly. Then the driver went back.
I opened my door and asked the dad why that person here was for. I got my answers. Thank to that reliable driver for he was here at my home to return all my documents and tickets, and visa to abroad which I left in his taxi in fear of the ghosts. If he hadn’t been here I could not have enrolled in this university.

WHAT IS WAVE?

Albert Einstein and Leopold Infeld
An expert from their book The Evolution of Physics,1961

A bit of gossip starting in Washington reaches New York very quickly, eventhough not a single individual who takes part in spreading it travels between these two cities. There are two different motions involved, that of the rumor, Washington to New York, and that of persons who spread the rumor. The wind, passing over the field grain, sets up a wave which spreads out across the field. Here again we must distinguish between the motion of wave n the motion of separate plants, which undergo only small oscillations. We have all seen the waves that spread in wider n wide circles when a stone is dropped in to a pool of water. The motion of the wave is very different fm that of the particles of water. The particles merely go up n down .The observed motion of the wave is that of a state of matter n not of matter itself. A cork floating on the wave shows this clearly, for it moves up n down in imitation of the actual motion of the water, instead of being carried along by the wave.........

In order to understand better mechanism of the wave, let us consider an idealized experiment .Suppose that a large space is filled quite uniformly with water, or air, or some other medium. Somewhere in the center there is a sphere. At the beginning of the experiment there is no motion at all. Suddenly the sphere begins to "breathe" rhythmically, expanding and contracting in volume, although retaining its spherical shape. What will happen in the medium? Let us begin our examination at the moment the sphere begins to expand .The particles of the medium in immediate vicinity of the sphere are pushed out, so that the density of the spherical shell of water, or air, as the case may be, is increased above its normal value. Similarly, when the sphere contracts, the density of that part of the medium immediately surrounding it will be decreased. These changes of density r propagated throughout the entire medium. The particles constituting the medium perform only small vibrations, but the whole motion is that of a progressive wave. The essentially new thing here is that for the first time we consider the motion of something which is not matter, but energy propagated throughout the matter.
Using the example of pulsating sphere, we may introduce two physical concepts, important for the characterization of waves. The first is the velocity with which the waves spread. This will depend on the medium, being different for water and air, for example. The second concept is of wavelength. In the case of waves on sea or river it is the distance from the trough of one wave to that of next, or the crest of one wave to that of next
. Thus the sea waves have greater wavelength than river waves. In the case of our waves set up by a pulsating sphere the wavelength is the distance, at some definite time, between two neighboring spherical shells showing maxima or minima of density. It is the evident that this distance will not depend on the medium alone .The rate of pulsation of the sphere will certainly have a great effect, making the wavelength shorter if the pulsation becomes more rapid, longer if the pulsation becomes slower.
This concept of a wave proved very successful in physics. It is definitely a mechanical concept. The phenomenon is reduced to the motion of particles which, according to the kinetic theory, are constituents of matter. Thus every theory which uses the concept of wave can, in general, be regarded as a mechanical theory. For example, the explanation of acoustical phenomena is based essentially on this concept. Vibrating bodies, such as vocal cords and violin strings, are sources of sound waves which are propagated through the air in the manner explained for the pulsating sphere. It is thus possible to reduce all the acoustical phenomena to mechanics by means of wave concept

Pallo ghar .............

Hidda hidda galisakeka thiye mera paitala haru. Nepal bandha le garda gadi paiyena. Feri aaja nai dherai kam pani garnu paryo. Hijo asti kaam bata dherai lukichhipi khele, aaja ta tesle mero phela pari halyo. Testai huchha, aaj ko kam bholi lai baki rakhyo bhane. Ke garne budhhi mero dhilai aayo. Ma lakhataran bhayera thakisakeko thiye. Aba ta ghar pugepachhi sutchhu matra , yesatai soche. Khana khane jagar pani chalena ghar pugepachhi agi sochejhai sirak le mukh chhope ani majja le suti rahe. Tara nindra yo palta ma sanga risayeki bhayera hola mero aankha ma aainan. Mera paitala haru jod jod le dukhdai thiye. Ekdamai thakit thiye ma. Sayad aama yeha bhaidinu bhayeko bhaye yestai soche maile. Huna pani ho khusi ani sukha ko bela ma hamile aama baba lai kam nai samjhinchhau hola. Tara pida huda uha haru lai matra ..........

Guitar ko dhoon suniyo , ekchhin nindra bitholeko ma rish uthyo tara tyo sangeet ko sumadhoorta ko agadi mero rish kaha tikthyo ra. Khali dhyan diyera sune. ani geet pani tehi malai kunai din dherai man parne sanjay shreshtha ko " maya meri maya hamro meelan kaile hunchha"......\Tapaiharu lai pani yo geet yaad chha hola. maile kata kata bhulna aati sakeko thiye. Dhoon ekchhin pachhi madhooro bhayo.Ma uthera kaushi tira lage tyo dhoon kaha bata aayeko ho ra kasle gayeko ho yesto meetho swor ma bhandai. Mathi chadhe chhat ma tyo dhwani lai pachchyaudai. Tehi pallo ghar ko balcony ma basera ekjana yubak le gai raheka thiye.
Usako aawaj ani guitar matra haina u pani ekdamai ramro thiyo, heri rahu lagne. halka lamo kapal, ujjyalo chehera ani tyo aankha. Tyo aakha yeti para ko doori bata herda pani lattha pari dine khalko. Uslai maile hatko ishara le geet gai rakha ramro chha bhane , u pani malai herdai khusi nai bayera geet gaudai thiyo . Ani haat ko ishara le bhanna thalyo yo geet timro lagi ani gaudai thiyo "gajalu ti thula thula aankha tira...". Ma usalai geet gauna anurodha garthe ani u geet sunauthyo. yo din dinai ko kam jhai bhisakeko thiyo. Ma office bata hatar hatar garera jasari bhaye pani ghar pugera kausi ma niskathe ani u tehi pallo ghar bata geet gauthyo. usako swor le malai ekdamai tanthyo , manau ma afai harayera afno bas ma nai hunna thiye.
u ekchhin dhilo aaipugda malai khallo lagera aauna thaltyo, kehi khadke jasto ani kehi napugeko jasto. huna sakchha u mero bani jhai bhaiakeko thiyo. Aba aru k bhanne ra khai.
yesto kram kareb ek mahina jati bhayo hola chaleko. Mero u prati ko lagab din din nai badhdo thiyo. usalai maile najik bata chineko thiina, na usako nam ani na thegana.malai usako barema yeti thaha thiyo usako swaor ma tyo jadu chha jasle malai ma batai para lagidinchha nai usako haso ani muskaan ma tyo madhoorta jasko gahirai bata ma chahera pani umkana chahhana, bas teti.....
aaj 3-4 din bhaisakyo u aayeko chhaina. khai k bhayo hola, kata gayo hola, kina aayena u aaja feri yo chhat ma?mero khulduliko seema rahena ani ma afnai ghar ko seemana naghi puge tyo pallo ghar ma. agadi thulo bagaicha ani bagaicha ma sundar phoolharu, ti phulharu ma pani muskaan thiyena ani raunakta ani chahakta harayeko thiyo. ma usako muldwar ma takka ubhiye ani mathi raheko ganesh ko murti lai heri rahe, huna sakchha ganesh bhagwan pani usako madoor geet kaipratikshya ma hunuhunthyo. maile dhoka dhakdhakyaye , dhoka kholin ekjana bahini le . ani mathi aauna agraha gariyo . ma mathi chadhe , baithak kotha ma ekjana bridha aama hunuhunthyo ani maile afno jigyasa pokhe,"khai ta aaja bholi geet suninna ni aama yo ghar ko kausi bata?" pratiuttar swoorup aama le aansu jharnu bhayo, " naani usalai ta nikai sarho birami chha. ani pallo kothama aaram gardaichha?" bujhdai jada usalai cancer bhayeko rahechha tyo pani fokso ko(lungs). feri antim abasta ma thaha paayeko bhayera usako upachar nai asambhab rahechha. u ta kebal kehi mahina ko pahuna rahechha yo bhautik sansaar ko. " k aama usalai thaha chha ta yo?"
" ho ba usalai sabai thaha chha. kareeb 2 mahina agqadi nai thaha thiyo. aba u badhi ma ek mahina matra bachchcha hola?" soche marchhu ekdin bhanne thahah huda hudai pani kasari hasna sakchha euta manchhe. mero afnai hos afai sanga thiyena. kehi napaudai gumaye jastolagdai thiyo malai. ma kunai anumati bina nai daudadai usako room ma puge..
mero aakha aansu le bhariyeko thiyo. usale malai dekhyo ani bhanyo" tapai sanchai hunuhunchha?", ani ma roye . tara usale malai samjhai raheko thiyo, " marna ta aakhira parchha nai haina ra?, ani feri malai ta nikai faida bhayeko chha. afu kahile marchhu bhanne miti ta thaha chha. bachunjel purna roop le bachna ta paauchhu , yeha ta purana roop le afno nimti bachne mauka bhagyemani le matra aapuchhan haina ra? tara tapailai dhanyabad ma darpan ko tarfa bata mero asal srota bhaidinu bhayeko ma". ? usako needhar haat le chhame, jwaro aayeko rahechha, sarir ekdamai galeko thiyo tara pani sworma uhi madhuryata ani aankha ma tehi nasha.
sahana sakina maile usalai yo roop ma herna . daudadai tala jhare ani feri phoolharu ani bhagwan kopratima here, ani afno mann pani here. hami tinaijana uti nai dukhi thiyau karan kebal darpan...........
kothama puge ani saaman pack gare . malai tyo thau chhadera janu nai besh lagyo kinaki ma darpan mareko herna sakdina thiye. bholipalta nai gadi ma saman rakhe ani kotha sare...........
aaja kayaui barsa bhaisakyo, thaha chhaina darpan kaha chha , yehi sansaar ma ki.........
Darpan euta sapana thiyo aankha kholda haraidine . sansaar ma u chha chhaina ahile tara mero sapana ma hardam saans pherchha u, tesaile u mero sapan ma ta jibit nai chha euta pallo ghar ko samjhana sworoop........................

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एक जुगमा एक दिन एकचोटि आउंछ
उलटपुलट, उथलपुथल ,हेराफेर ल्याउँछ
लातासुधा बोल्न थाल्छन्, चाल्न ओठ दु:खको
सहे भनि सम्झिएका ईख फेर्न उठ्दछन
गये भनि नदेखिएका फर्किफर्कि आउँछन
सुते भनि सम्झिएका सूरुसुरु हिंडदछन
मरे भनि फ्यांकियेका जूरुजुरु हिंडदछन
खरानी हुन्छ भर्भराउन्दो,हुरि चल्न थालदछन
कायर पनि बीर् हुन्छन, बेग चल्छ जोशको
हाहाकार मच्छ यहाँ पाप खुल्न थालदछ
एक जुगमा एक दिन एकचोटि आउंछ।
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सान्त्वना

तिमी नरोउ,बस केही बेर पर्ख मात्र
संसार हाक्दै अघि बढ्ने तिम्रो युद्ध
भरे तिम्रो सानो कोठामा अाइपुग्नेछ,
तिम्रै अंगालोमा अटाउन अाइपुग्नेछ,
उसको त्यो धप्प बलेको अनुहार
भरे तिम्रै मधूरो दियालोमा देखिने हुनेछ,
तिमी नरोउ, बस केही बेर पर्ख मात्र

हो, उसले आफुलाई बेग्लाबेग्लै तुल्यायो,
झ्वाट्ट चिन्न नसकिने तुल्यायो,
आफ्नो मायालु हृदयलाई ठोक्ठाक गरेर सार्हो तुल्यायो,
आफ्नो हलुका लयालु बोलीलाई कडा र गर्हौ तुल्यायो;
हो, उसको लठ्ठ परेको स्वपनील हेराइ तिखो र रुखो भयो,
उसको नरम केश लटटा परेजस्तै भयो;
किनभने उसले संसारलाई ठानेभन्दा अर्कै पायो,
उलटपुलट गरिदिनुपर्ने पायो,
उ त्यसैले योद्धा भयो, कम्मर कसेर लडिरहेछ!
होइन, उ निठुरी भएको होइन,
माया मरेको होइन,
तिमीलाई बिर्सेंको होइन,
बस केही बेर मात्र,
चाडै उ तिम्रो मायालु काखमा थकाई मार्न आउनेछ,
तिम्रै आँगालोमा अटाउन अाइपुग्नेछ,
संसार हाक्दै अघि बढ्ने तिम्रो योध्दा
भरे तिम्रो सानो कोठामा फर्कनेछ,
होइन, नआतिएउ
उ भेट्टाउन नसकिने गरि टाढा पुगेको होइन,
अाइलाग्नेमाथि जाइलागेको मात्र हो,
उ त्यसै पर पुगेको होइन।


बरु तिमी निन्यौरि नहोउ, तिमी हंसिली होउ,
तिमी उज्येली भैदेउ,
आफ्नो केही वास्ता नभएे तापनि
उसलाई तिम्रो पुरा वास्ता छ,
आँफु बेखबर लडिरहे तापनि तिम्रो खबर उ बराबर लिन्छ,
त्यसैले तिमी चहकिली होउ,
तिम्रो खबर पाउंदा उसलाई बल र साहस् आओस,
तिमी उसको शक्तिको स्रोत भैदेउ,
होइन,न आत्तिएउ,
उ भेट्टाउन नसकिने गरि पर पुगेको होइन
लडाईं खेल्दै पर पुगेकोइ योद्दा
भरे तिम्रै काखमा खेल्न अाइपुग्नेछ,
संसार हाक्दै अघि बढ्ने तिम्रो योध्दा
भरे तिम्रो सानो कोठामा फर्कनेछ।

उसले मन दर्हो पार्यो, तिमी पनि दरि भैदेउ,
उसले प्राणको निम्ती प्राण दियो त
तिमी कत्ति कम् नहोउ,
भरे
"तिम्रो मायामामा पग्ले,
प्रिये, म फर्के”
भनि तिम्रो आँचलमा
आफ्नो कालो अनुहार लुकाउन अाइपुग्यो भने
मर्नु भएन?
त्यसैले तिमी पनि प्रण गर , भनिदेउ,
“म हारेको अनुहार हेर्दिन ,
लडाईंबाट पिठ फर्काउनेको निम्ती
मेरो घरको दैला खुल्दैन,
मेरो आँगालोको हार हर्नेको निम्ती हैन,
मेरो जयमाला बिजेताको निम्ती हो”
भनिदेउ, नडराउ,
हाम्रो शिर ठाडो हुन नदिने अत्याचारको बिरुद्द
हामीलाई बोल्नै नदिने गरीबिको बिरुद्द
हामीलाई बाच्नै नदिने गरीबीको बिरुद्द,
हामीलाई केही थाहै नदिने अज्ञानताको बिरुद्द
कम्मर कसेर लडिरहेछ;
जीत उसैको हुन्छ।




भनिदेउ,
हो, तिमी उसको शक्ति भएउ,
जीत उसैको हुन्छ
उ चांडै नै फर्कन्छ ,
उसको धप्प बलेको अनुहार तिम्रै मधुर दियालोमा देखिने हुनेछ,
लडाईं खेल्दै पर पुगेको तिम्रो योद्धा
भरे तिम्रै काखमा खेल्न अाइपुग्नेछ,
संसार हाक्दै अघि बढ्ने तिम्रो योद्धा
भरे तिम्रो सानो कोठामा अाइपुग्नेछ।

AAMA KO SAPANA

It was around 7yrs back when i was in 9th grade i remember one of my nepali sir ever reciting this poem by Rimal. I was really fascinated by this poem . After few yrs i got his book aama ko sapana. i want u all to go thru it once. it will make u realise wat u shud hav been...................


AAMA KO SAPANA

Aama, tyo aaunchha ra?
“ho , ba tyo aaunchha.
Tyo bihanko suryajhai ujjyalo chhardai aaunchha.
Tyesko kammar ma jhundiyeko sheet jastai talkane
Timi ek hatiyar dekhnechhau;
Tyesaile u ardham sita ladnechha!
Tyo aaunda timi pahile ta sapana ho ki bhanera
Chhamchhum garnechhau, tara tyo hiu ra aago bhanda pani
Bhadta chhoine bhayera aaunchha.”
Ho ra aama?
“ho , timi janmada timro kalilo anuharma
Tyesai ko chhaya dekhne aasha gareki thiye;
Timro hissi pareko hansai ma tyesai ko sundar chhabi;
Timro tote bolima tyesai ko madhur dhwani;
Tara tyo mitho geetle timilai
Afno bansuri banayenachha!
Tyo timi nai haula bhanne
Mero yaubanbhari ko sapana thiyo!
Je hos tyo aaunchha:
Ma aama hun, saara srijanshaktiko mukh bhayera
Ma bhanna saktachhu,
Tyo aaunchha,
Maile yo kunai alchhi sapana dekheko hoina!
Tyo aayepachhi timi yesari
Mero kakha ma aayera ghoptinechhainau;
Satya kura lai timi yasari
Chumbakiyera katha sunejhai sunne chhainau;
timi tyesalai aafai nai dekhna sakne,sahana sakne ra
Grahan garna sakne hunechhau;
Maile yesari dharya dinuko satta timi sangram ma janda
Lakh samjhayera pani namanne aamako man lai
Santwona dindai bida hunechhau;
Maile yesari rogi lai jhai timro kapal
Musaharirahanu parne chhaina!
Heraula,tyo huri bhayera aaunechha,
Timi paat bhayera pachhyaunechhau!
Uhile tyo jiwanlokbata jharera joonjastai pokhinda
Saara jadata sagbagayeko thiyo,ba;
Tyo aaunechha , timi uthnechhau!”
Tyo aaunchha ki aama,
Madhur ushale charaharuko kanthalai jastai
Tyo aaune aashale mero hridayalai kutkutyaisakyo aama!
“ho,tyo aauchha ,
Tyo bihanako suryajhai ujyalo chhardai aaunchha.
Aaba ma uthe ,gaye.”
“tara tyo timi nai haula bhanne
Mero yaubanbhariko sapana thiyo!”


By Gopal Prasad R imal

WHEN.................

When cuckoo starts singing
The song of nature,
When falls, streams, rivers
Add music to this song,
When the melody of the gentle breeze
Accompany them,
Then my dear we will dance together
With the smiling soul……….

When the barriers in this world
Can no more divide the heart,
When the rivalry within human heart
Can no more kill the humanity,
When accord among different races
Rise above the hatred,
Then my dear we will walk hands in hand
With the fearless heart…………..

When all the destitute
Get their basics fulfilled,
When all the orphans
Get caring hand and home,
When everyone within this world
Get a pleasant life to live,
Then my dear we will write together
The errands of love……….


When young Buddhas are heard everywhere
Chanting the hymns of fraternity,
When all weapons and bombs
Are replaced by blossoming flowers,
When the lady peace is seen
Dancing in every living heart,
Then my dear we will see together
This world of our dream…………………..

आँखा भरी......

आँखा भावुकताको चित्र बोकेर,
आत्मा भित्र सम्झनाको आकाश लिएर,
जाउ तिमी आफ्नै धूनमा
लक्ष्य् पहिल्याउन ,
मबाट लाखौं शुभकामना कोसेली स्वरुप लिएर।
नडग्मगाउ तिमी
काँडा पैतलामा बिझ्यो भनेर,
बरु लेउ द्रिढ विश्वाश मलम सम्झेर

मुटु भित्र मानबताको रगत छरेर,
मन भित्र नैतीकताको सांस् भरेर,
लम्क अब अघि बढ
शिखरलाई चुम्न
स्वदेशको माया चिनो ठानी सांचेर।
हरेश नखाउ तिमी कतै
लडे कठै भनेर,
बरु उठ पटक पटक जित्छु अब भनेर।

छातीभरि विश्वाशको दीप बालेर,
रोम रोममा रहरहरु माटोको बोकेर,
हिडि राख तिमी सधैं
गगनलाई छुन,
बुद्धको शन्ति बनि उपदेश स्वरूप लिएर।
नसुर्ताउ तिमी कहिल्यै
थाके पैतला भनेर,
बरु दौढ अब चाडै पुग्नुछ भनेर।

MEETING AT NIGHT

The grey sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed I’ the slushy sand.

Then mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of lighted match,
And a voice less loud, thro’ its joy and fears,
Than the two hearts beating each other!

(By Robert Browning)

THE ROADS NOT TAKEN

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;


Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,


And both that morning equally lay
In leaves no steps had trodden back.
Oh! I kept the first for another day!
Yet knowing how many leads on to way,
I doubted if I should ever come back.

I shall telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.

BY ROBERT FROST

About me

This blog contains the collection of articles, poems and many more items, some by the well known writers, and some by the emerging youths..

It also reflects the views of writer (about different features and aspects of life )through her articles.

I wish u all the readers go through this blog n help writer in making a wider blog through your comments , your suggestions and your views.

Your feelings and suggestions will be cordially accepted............

HAVE A NICE DAY>>>>>>>